2009, Heske Horror
Writers: Chris McJunkin, Ollie Masters, Shawn Gabborin, Jim Alexander, Shamere Borg, Xander Bennett, Robert Heske, Arno Hunter, Christopher Barker, Craig Gilmore, Rita Gorgoni, Adam Grose, Dino Caruso, Don E. Smith Jr., Duncan Eagleson, Martin Hayes, Jason Light, Marie D. Jones
Artists: Chris McJunkin, Andy Fish, Mario Cau, Andrew Dodd, Melanie Cook, Adam Swiecki, David Edwards, Marc Jameson, Monty Borror, Stephen Downey, Stefano Cardoselli, Tony Suleri, Dirk Shearer, Sam Kivela, Duncan Eagleson, Jason Dube, Stephen Broome, Reno Maniquis, Zeu

Almost the paperback equivalent of the billboard-hauling loon preaching “the end is nigh”, 2012: Final Prayer is a hugely enjoyable anthology of sequential art, short stories and bizarre rants that prophesise the possible end of the world alongside the conclusion of the Myan Long Calendar. How, or indeed why, the world will end in two years time, nobody is quite sure – the perfect subject for independent comic talent to explore our impending apocalypse with as much creativity as is humanly possible, then.

2012: Final Prayer

One of the most pleasing surprises with 2012: Final Prayer is that few of these “predictions” are even remotely plausible. Instead the writers and artist involved have tried to outdo one another with some of the most absurd yet creative Armageddons you’re (not) likely to perish horrifically through. In the superb Bird’s Eye View by Arno Hunter and David Edwards, for example, a lone astronaut drifts pointlessly in a shuttle as he watches the earth crack open like an egg and something unfathomable hatch from our humble rock.

On a whole, these more absurd visions are by far the most enjoyable. Dino Caruso and Sami Kivela’s Hollow Victory, in which a soldier is sent forward in time to observe and report the reason behind man’s demise, only to find pretty much every doomsday scenario occurring simultaneously, evokes the pulpy origins of 2000AD. Duncan Eagleson’s stylish Harkington is less inspired by the likes of Ray Bradbury and more the prelude to a post-apocalyptic samurai tale. With flesh-eating monsters, naturally.

My other personal favourites included: 2012: Apocalypse in Five Parts (Shamere Borg, Xander Bennett and Melanie Cookie), a uniquely illustrated piece that simultaneously narrates the reactions of five disparate individuals to their impending doom. Arno Hunter’s prose short, Annihilation Revelation, is a hilariously bleak parody on the archetypically loony U.F.O. witness, with a brilliant twist in the last paragraph that you just will not see coming. And Robert Heske’s eerie Synchronicity, illustrated Dirk Shearer, also makes a welcome return, having previously been printed in Heske Horror’s Bone Chiller.

Yes, it’s a diverse collection all right, and there are far too many worthwhile contributions to go into detail here. The appeal in such anthologies is that you never quite know what you’re going to get, and 2012: Final Prayer has horror, humour and utter weirdness in spades. It’s a pleasing hark back to an era of science fiction and fantasy storytelling that thrived on big, abstract ideas rather than the theoretical science behind them.

Though if I were you I’d grab a copy soon. The clock is ticking.

8/10

Bone Chiller can be purchased from a number of online retailers, including Amazon. Cover price $12. A digital copy is available from DriveThruComics.com for just $4.99. For more details, visit www.coldbloodedchillers.com.

2008, Heske Horror
Written by: Robert M. Heske
Art: Monty Borror, Zeu, Preston Asevedo, Alian Norte, Dirk Shearer, Reno Maniquis, Adam Swiecki, Breno Tamura

The good ol’ fashioned horror comic is alive and kicking like an angry reanimated corpse in Bone Chiller, an anthology of ghoulish tales from screenwriter Robert M. Heske.

Bone Chiller

The standard many such horror showcases seemingly aspire to was long ago set by the tongue-in-cheek EC Comics titles of the 1950, Tales from the Crypt being the most eminent. Yet though elements of the supernatural do work their way into Heske’s short stories, his pieces are far more psychological in nature, and often play on the lingering suspicion that your friends and neighbours are up to some sinister acts behind closed doors and picket fences.

The book was originally published as Cold Blooded Chillers: Tales of Suburban Murder & Malice across three issues, which have been arranged into the thematic chapters Femme Fatales, Mistrust Thy Neighbor and Someone is Watching. The titles alone should give you an idea of what to expect in each. The tales vary greatly in style and length; some are only 4-6 pages long, while several would fill almost an entire issue.

Femme Fatales begins with Her First Day Alone, in which a woman is haunted by the death of her child. In the concise but wonderfully illustrated False Pretenses, the tables are turned on an arrogant lothario and The Waiting Room sees a man’s past and conscious catch up with him in the kind of ironic way that could only happen in a gruesome horror parable. Mistrust Thy Neighbour features the supernatural trick ‘r’ treat caper Misnomer and twist and turns aplenty in Dead Dog, in which a reclusive writer is interrupted by the discovery of a mangled pooch on his front lawn.

Someone is Watching features by far my favourite of Heske’s offerings, the ambiguous Synchronicity. Lifted by some seriously atmospheric art by Dirk Shearer, ‘Synchronicity’ concerns a suicidal woman who is spared from a bloody massacre by a group of mysterious, faceless entities known as the midwayers, and has an ethereal quality reminiscent of Ray Bradbury’s early work. As does the eerie Transcendence, in which a security guard working night shifts at an aquarium is haunted by visions of his dead daughter. Great art by Reno Maniquis, too. Shadow, the story of an abused child, was a bit too graphic for my tastes, but the ending just about justifies this grim segment.

The volume also includes an additional chapter, Extra Pieces, which includes an illustrated film script entitled Alibi, as well as another brief comic short Shopper’s Nightmare. Oddly enough, ‘Alibi’ is by far the most intricate and intelligent story in this collection, a crime drama in which an allegedly upright husband claims to have murdered his daughter while sleepwalking. It’s a clever little yarn, with a tragic conclusion that I truly did not see coming.

The recent resurgence of horror comics has seen a variety of approaches to the macabre, from the more light-hearted EC-inspired offerings to some books which border on torture porn for murder fantasists. Bone Chillers sits comfortably in the centre of both those extremes; Heske’s tales are often realistically grim, and while several feature scenes of child abuse, the artists involved wisely leave these incidents up to the imagination.

All in all, there’s something for all horror fans in Bone Chiller, whichever corners of the genre your tastes lean towards. The art is consistently good, and while several of Heske’s tales are a tad predictable – there’s only so many directions these narratives can head in, after all – his knack for believable characters in ostensibly mundane situations makes Bone Chiller a thoroughly absorbing read.

7/10

Bone Chiller can be purchased from a number of online retailers, including Amazon. Cover price $12. A digital copy is available from DriveThruComics.com for just $3.50. For more details, visit www.coldbloodedchillers.com.