Get a great new deal on comics toys and more every 24 hours!

Posts Tagged ‘iron man’

Marvel’s Siege #2 Review

Monday, February 15th, 2010 by Carl Doherty under Comic Book Reviews

Marvel, 3.99
Writer:
Brian Michael Bendis
Pencils:
Olivier Coipel
Inks: Mark Morales
Colours: Laura Martin

Now that Siege is halfway through, is it an epic “seven years in the making” or yet another oversized crossover that is more likely to bore me off the Marvel Universe for good than lengthen my pull list? A return to the action packed superhuman slugfests of old or a simplistic and convenient way to revert the MU to a pre-Civil War state?

All of the above, really.

Siege #2 - Variant cover

Siege #2 - Variant cover

If last issue offered few surprises – Marvel has been marketing Osborn’s assault on Asgard and the return of Steve Rogers for months now – this second issue at least had a few moments of brutality that made up for the predictable direction the entire Siege event is taking.

Bendis has clearly set out to deliver an action-orientated finale, consequently the title lacks any level of character development, or even the more intimate character moments that previous big events have allowed. The Sentry has been Osborn’s not-so-secret weapon since the formation of the Dark Avengers, but it’s sad to see what was once an interesting and conflicted character devolved to a lambent-eyed killing machine.

Olivier Coipel’s art continues to impress, though by favouring close-ups of the large cast, he’s so far failed to convey the sense of magnitude that an assault on a mythical city should. Coipel’s work on Straczyinski’s Thor revival accomplished just that, and it’s perhaps Siege’s greatest failing that this war of gods and superpowers feels so small in scale and scope.

Love Siege or hate it, the event is simply a transparent catalyst for the reunion of the traditional Avengers line-up we all know and love. Seven years in the making? More like a last minute antidote to previous crossover events. Nevertheless, unlike Avengers: Disassembled, Civil War, Secret Invasion and Dark Reign, Siege isn’t just another temporary shock to the MU that will shake up the status quo but one that looks likely to restore it.

7/10

  • Share/Bookmark

Siege: Embedded #2 Review

Thursday, February 11th, 2010 by Carl Doherty under Comic Book Reviews

Marvel, $3.99
Writer: Brian Reed
Artist:
Chris Samnee
Colours:
Matthew Wilson

While the Civil War crossover event a few years back turned out to be a big fuss over nothing, one of several highlights was the Front Line miniseries, which detailed the unfolding events post-Stamford from journalist Ben Urich’s perspective. And with Siege looking to be a similarly empty affair, it’s comforting to find that the new Urich side-series Siege: Embedded is just as entertaining as Front Line was.

Siege: Embedded #2

Siege: Embedded #2

Brian Reed has so far made this series everything it should be. Firstly, he makes it clear that despite the presence of Asgard in the MU’s USA, Siege is happening in a world very similar to ours, providing some crude (but undeniably funny) satire along the way. The scenes with right-wing bastard Glen Beck – oops, I mean Todd Keller – are fantastic, as is Urich’s “interview” with an ignorant gas station assistant.

Secondly, by viewing Norman’s assault on Asgard from the perspective of two inconsequently mortals, Reed endows Embedded with a real sense of futility. We know that Captain America will rise from the dead, that Iron Man will get the opportunity to redeem himself, but Urich and cameraman Will Stern are granted no such destiny.

And lastly, this issue is just fun. Volstagg has always been a comical character, but Reed makes him a proud yet loveable buffoon who is too single-minded to quite appreciate the consequences his actions will have. Of course, it doesn’t hurt that both the art by the talented Chris Samnee and Matthew Wilson’s gaudy colours are perfectly suited to this title.

Unfortunately, after a brief tussle with some H.A.M.M.E.R. goons, Siege: Embedded is looking to take a slightly darker direction next issue. Which is a bit of shame, as I’d have happily read an entire series focussing on this unlikely trio’s road trip. ‘Urich, Stern and Volstagg Across America’… How about it, Marvel?

8/10

  • Share/Bookmark

Iron Man: Virus Competition – 3 Copies to Give Away

Friday, February 5th, 2010 by Carl Doherty under Comic Movie News

Titan Books have been kind enough to provide shelfabuse.com with 3 copies of the new Iron man prose novel by Alex Irvine, ‘Virus,’ which fills in the blanks between the first movie and the upcoming sequel. More info at Titan Books.

Iron Man: Virus

Iron Man: Virus

Hopefully this synopsis should whet thine appetite:

Iron Man: Virus

In the clear blue skies above Long Island, two airplanes collide. Tony Stark watches  the scene in horror and wishes he had the technology that is almost within his  reach—a new hyper-intelligent instant control system that could have given the  aircraft advance warning. But Stark, an obsessive, increasingly troubled  recluse, doesn’t know that his invention has been compromised.

In fact, the collision was a carefully crafted hit on Madame Hydra, the final stage in Arnim Zola’s plan to seize control of HYDRA and get rid of Iron Man once and  for all. The cunning adversary has already infiltrated Stark Industries security to develop a version of the instant control mechanism that will take over the armoured suit and turn it against Stark and S.H.I.E.L.D. While Tony races to track down the source of the intrusion, Zola unleashes direly  ingenious computer viruses and the ultimate secret weapon: a murderous clone  army based on Stark’s most trusted friend. A puppet master of self-replicating  terror, Zola is plunging a city into a war that threatens to consume all in  its wake.

To win yourself a copy of Iron Man: Virus, simply email us here (subject: Iron Man Comp) with your name and the answer to the following stupidly easy question.

Which villain will Mickey Rourke play in the upcoming Iron Man 2 movie?

The competition will end midnight Sunday 7th March, and winners will be notified soon after. Please note that this competition is only open to residents of the United Kingdom. Sorry, everybody else!

UPDATE: The competition has ended and the winners were Laura Pritchard, Stuart Klee and Sarah Mcleod.

If you’re still feeling lucky, punk, then feel free to enter the Solomon Kane adaptation competition.

  • Share/Bookmark

Iron Man vs. Whiplash #1 (of 4) Review

Tuesday, December 8th, 2009 by Carl Doherty under Comic Book Reviews

Marvel, $3.99
Story: Marc Guggenheim, Brannon Braga
Art: Phillipe Briones, Matt Milla

Iron Man vs. Whiplash #1 Review

Iron Man vs. Whiplash #1 Review

Okay, let’s not beat around the bush: Iron Man vs. Whiplash is a shameless cash-in on the impending Iron Man movie sequel. There’s no reason for this plot existing outside of the regular series, other than Marvel seeing an opportunity to cram another title onto the shelves.

As Tony Stark sits before an international criminal court, via several flashbacks we visit the decimation of a small Russian village by what is clearly the Iron Man suit – provoking an all-new, all-vengeful version of Whiplash. Of course, we know Stark isn’t in any way guilty, so the present day frame-story in this issue is ultimately pointles

There’s something decidedly shoddy about this series. At one point the Red Guardian recounts the apprehension of Stark, yet in this same scene Guggenheim and Braga also illustrate Stark pondering his Facebook status via a several thought bubbles. Simply put, Iron Man vs. Whiplash is uninspired drivel, and anyone wanting an entry point into the Iron Man comics should instead jump into the currently superb regular series or any number of classic trades.

5/10

  • Share/Bookmark

Black Widow for Iron Man 2 Movie, Watchmen Comic Movie survives March Release

Thursday, January 22nd, 2009 by Carl Doherty under Comic Movie News

Things I learnt today from crawling prone through the digital shrubbery of the World Wide Web like the wind-up soldier toy my dog mauled to bits when I was but 5 years old:

Emily Blunt as Black Widow?

Emily Blunt as Black Widow?

Emily Blunt as Black Widow

Following the news that Mickey Rourke and Sam Rockwell will be playing the undermined antagonists in the Iron Man sequel, Variety is reporting that Emily Blunt has been cast as the foxy Soviet spy Black Widow, Natasha Romanoff.

Blunt, who is rapidly rising in Hollywood due to such hits as The Devil Wears Prada and Charlie Wilson’s War, will hopefully be able to overcome the career stigma that has actresses such as Halle Berry and Charlize Theron have had to bear, when she slips into a skin-tight catsuit. Whether she’ll be required to slip on a dodgy Russian accent is another matter.

Watchmen Conflict Ends peacefully

The world will be watching the Watchmen movie on March 6, as Warner Bros. have settled an unspecified upfront sum with Fox. All those concerns that the film will not be released this year, by some accounts ever, now seem a little bit silly don’t they?

Here’s hoping that Zack Snyder’s movie is everything it has the potential to be, and isn’t trimmed down into some pale imitation of its former graphic novel self.

Source: Empire

  • Share/Bookmark

Iron Man 2 Movie Gets Villains, The Thor Movie Hits Earth

Saturday, January 10th, 2009 by Carl Doherty under Comic Movie News

Tiny drops of speculation I inhaled while swimming the vast oceans of the web this week:

Iron Man 2 Villains

The Iron Man 2 rumour currently spreading across the internet like wildfire, courtesy of THR.com is that comeback kid Mickey Rourke and the excellent Sam Rockwell are in talks to play Stark’s dual antagonists. People are speculating all sorts of roles, including Whiplash (ugh), though the general consensus is that Rourke will fill the suit of Crimson Dynamo and that Rockwell will play Justin Hammer, Stark’s business rival. If this is true, the sequel will likely be heavily inspired by the Armor Wars comic arc.

Also rumoured is that another Russian, former KGB assassin Black Widow will be involved at some point. It wouldn’t be surprising, as her inclusion would make for yet another potential addition to the Avengers roster.

Iron Man - Crimson Dynamo

Iron Man - Crimson Dynamo

Thor Hammers Home

The ending of the anticipated Thor movie is apparently being rewritten to accommodate the Avengers tie-in, according to IESB.com. While it had originally been confirmed that the film would take place entirely in Asgard, lending it a strong fantasy vibe, the plan is now to introduce the titular God of Thunder to Earth by the end of this movie, thus leading into the all important, all-consuming Avengers franchise.

Whether Thor’s mortal vessel Donald Blake will be involved is still undisclosed, but it would make sense, as Blake would give the character a more grounded connection to Stark, Rogers et al. Until he swaps his doctor’s coat for Mjolnir and a shiny winged helmet, that is.

  • Share/Bookmark

The Ultimates vol. 1: Super-human TPB Review

Friday, July 4th, 2008 by Carl Doherty under Graphic Novel Reviews

2002, Marvel
Story: Mark Millar
Pencils:
Bryan Hitch
Inks: Andrew Currie
Colours: Paul Mounts

From the very first issue, The Ultimates defines its intentions with a suckerpunch; this is the Avengers in our world, driven by our politics and prone to our vices.

The Ultimates vol. 1: Super-human

The Ultimates vol. 1: Super-human

Back to that first issue. The last hurrah of World War II era Captain America, and his subsequent freezing, sets off Super-human with a velocity that it sustains throughout. By regular Marvel standards not a lot happens, but Mark Millar brings his science-minded supergroup together in a way that is intricate and believable. There are no weak links in this chain; for once Bruce Banner is as valuable a member as his green/grey alter ego, and Steve Roger’s blood may hold the key to an entire army of super-soldiers.

Up until The Ultimates I had seen the Ultimate imprint as a bit of a waste of time. Neither Ultimate Spider-man nor Fantastic Four were substantially different from their counterparts to be of interest to all but the casual reader. Strangely, Millar takes the opposite approach here, taking the familiar faces and worn concept and producing something different enough to stand on its own. While the aforementioned titles catered primarily to those with only a passing knowledge of the Marvel Universe or those curious about Marvel’s finest after enjoying the corresponding movies, The Ultimates can be appreciated as both an inventive re-imagining of the team and a satire in the same “widescreen” vein as The Authority, which both Millar and Hitch previously worked on (though separately).

On a more personal note, though I enjoyed and respected what the creative talents concerned have done with The Ultimates, the series does lack a certain warmth, the likes of which had adhered the Fantastic Four and X-Men runs through their lowest points. Millar’s razor-sharp characterisation has ensured that not one “hero” in this incarnation of the team is remotely likeable. Captain America is now a military bully, Hank Pym is a victim to a gargantuan inferiority complex and Tony Stark… well, Stark hasn’t changed enough. On the plus side the Ultimate Jarvis, now a bitter, sardonic queen, is a riot.

Whereas Ultimate Spider-man took the web-slinger back to his roots, and Ultimate X-Men offered a variation on everybody’s favourite mutants minus the blight of time travel and alternate universe convolutions, The Ultimates stands as an exceptional, if not definitive, team origin book that is smart enough to invite readers from beyond the spandex-crowd, or indeed the comic medium. And that’s high praise indeed.

8/10

  • Share/Bookmark

Top 10 Iron Man Armors

Sunday, June 1st, 2008 by Carl Doherty under Comic Top 10

Tony Stark’s vanity has never been in question. Whether he’s signing world peace treaties, seducing page 3 models, thwarting inter-conglomerate espionage, or getting his spine returned to him on a shiny silver platter by an angry Hulk, the moustachioed man has to look his best.

Here I present you a fine selection of tailor made metal suits, evaluated in terms of design, power, fashion statement (“oomph” in the common tongue) and the all-important codpiece factor.

10. Thorbuster

Powered by state-of-the-art Asgardian technology (okay, a big mystical crystal) this armor could withstand, and absorb, event the massive amounts of energy the Son of Odin threw at it. Ironically, it was still destroyed, by the latest in hi-tech warfare: a giant hammer.

Finest moment: Stark learns that technology has nothing on the power of the Gods, in Iron Man (vol. 3) #64.

Iron Man - Silver Centurion

Iron Man - Silver Centurion Armor

9. Silver Centurion

Nothing screams eighties like titanium shoulder-pads. The Silver Centurion also had a built in chameleon effect, previously used in the dark blue Stealth Armor.

Finest moment: Iron Man (vol. 1) #163 – 200, in which Stark uses this suit to take on Obadiah Stane, a battle which resulted in the destruction of Stane International. Serves him right!

Iron Man - Hulkbuster Armor

Iron Man - Hulkbuster Armor

8. Hulkbuster

When the Big Green Guy is out levelling small towns and smashing military installations, only the biggest, heavy-duty exo-skeletal shell, designed for maximum strength amplification at the cost of reduced versatility and mobility, is capable of giving him a good hard spanking.

Finest moment: The Mark II Hulkbuster severely failing to live up to its title as World War Hulk commences.

7. Modular

The classic red & gold got a nineties injection with this modular, compactable and highly customizable model, which not only made saving the world that little bit easier, but allowed the animated series and subsequent toylines to spawn an arsenal of Iron Man variant, including Samurai Armor Iron Man… which is either emotionally offensive or insanely cool, depending on your age.

Finest moment: Kicking M. Bison’s butt in the Marvel vs. Capcom series.

Iron Man - Red & Gold Suit

Iron Man - Red & Gold Suit

6. Red & Gold

Definitely the most iconic armour, and possibly Stark’s longest running outfit, lasting unchanged throughout the seventies. Quite what inspired his future first cousin once removed, Arno Stark, to attach giant cogs at the shoulders, we’ll never know.

Finest moment: The metal faceplate does nothing to hinder Stark’s boozing in Twisted Toyfare Theater’s surly and perpetually inebriated parody. I’m pretty sure these exploits are considered canon.

Ultimate Iron Man

Ultimate Iron Man

5. Ultimate Armor

Bulky without compromising sleek design, this suit goes for theoretical realism over big ideas, and not only requires a full behind-the-scenes support team to maintain and operate at full proficiency, but two hours of Tony’s time just to put the damn thing on.

Finest moment: The Ultimate Iron Man miniseries, written by Ender’s Game author Orson Scott Card.

4. Movie Armor (Mark III)

Almost an amalgam of all that has gone before but with an industrial, automobile bent, the gold-plated titanium Hollywood edition Mark III operates with remote assistance from Stark’s artificial intelligence JARVIS, who may be infinitely more useful than his comic book counterpart, but is incapable of making a good cup of tea.

Finest moment: Annihilating a group of Ten Rings terrorists, Robocop style, in Afghanistan, before playfully escaping two F-22 Raptors.

3. War Machine

Accessorize, accessorize, accessorize! Originally, briefly worn by Stark, this armor was soon passed down to best buddy James Rhodes, fully aware that, for the financially stretched, a light grey and dark grey colour scheme would never go out of fashion. Though the suit previously went under the catchy name of “Variable Threat Response Battle Suit,” Rhodes decided that the “guns, lots of guns” was the route to follow, adopting a name that doesn’t exactly connote peace-keeping heroism.

Finest moment: The non-canonical, monochromic miniseries U.S. War Machine, in which Rhodes is fired by Stark after cold-bloodedly killing two hostage takers on national TV.

2. Golden Avenger

Sure, grey is nice… but if you really want to impress the ladies, nothing screams affluence quite like this gold-plated setup. Strictly for those entrepreneurs wishing to take the Midas influence that little bit further, while adhering to the “big is better” principle. Also used a solar recharger; even in the sixties, Stark was anticipating global warming… which, as we all now know, doesn’t actually exist.

Finest moment: Tales of Suspense #40. One issue after his debut, Stark decides the grey suit was a little scary and, eventually rejecting the giant puppy armor prototype he’s worked so hard on, paints the entire thing gold. Because gold is the least intimidating colour of them all.

Iron Man - Extremis Armor

Iron Man - Extremis Armor

1. Extremis

The most powerful armor of them all, formed from nanotechnology and fused to Stark’s body via a techno-organic virus, which allows him to store the inner layers of the Iron Man armor in the hollows of his bones. A veritable cyborg indeed!

Finest moment: Warren Ellis’ entire Extremis run. Buy it now.

  • Share/Bookmark

Iron Man Movie Review

Saturday, May 10th, 2008 by Carl Doherty under New Movie Reviews

2008
Dir:
Jon Favreau
Script:
John August, Mark Fergus, Hawk Ostby, Arthur Marcum, Matthew Hollaway
Cast: Robert Downey Jr., Terrence Howard, Gwyneth Paltrow, Jeff Bridges

Like an off-course stealth missile, Iron Man hits multiplexes with a fraction of the anticipation that preceded the third instalments of the Spider-Man and X-Men series. Jon Favreau’s fourth directorial effort follows a similar origin story approach to those franchises’ first films, producing possibly the most vibrant, wry and exuberant superhero movie since Donner’s Superman. No superpower prejudice or emo angst here; Tony Stark has a ball with his talent, his wealth and his many women, and we have a ball watching him.

Iron Man

Iron Man

Robert Downey Jr.’s turn as Tony Stark is the films consistent trump. Even after Stark has had his “eyes opened” his plight to make good does nothing to calm his narcissistic egotistic tendencies. Possessing a magnetism that shines through even when encased in gold-plated titanium, Downey Jr. gives Stark a credibility that he has often lacked in comic form.

The rest of the cast are equally good, particularly Jeff Bridges, the Dude himself, as Stark’s sinister mentor Obadiah Stane. Gwyneth Paltrow fills a thankless but fundamental role, as the ridiculously monikered love interest Pepper Potts, while Terrence Howard, as Stark’s erstwhile buddy James “Rhodey” Rhodes isn’t given much to do, but is set up nicely for a substantial future. And yes, Samuel L. Jackson does make a post-credits cameo as a certain Ultimate Marvel iteration certain agent of a certain acronymic counterterrorism and intelligence agency.

Jon Favreau may not have the auteur’s touch present in Raimi’s and Nolan’s superhero offerings, but like his previous offerings Elf and Zathura, Iron Man is simply an enjoyable romp. As with the best comic adaptations, Iron Man alludes to potential future events from its vast comic book history (mind you don’t slip on the paradox) including the Mandarin and War Machine. But primarily, the film fully accomplices what it sets out to do, introducing a character that has never blipped the public’s radar to the extent Batman and Spider-man have.

Writhe with caricatured Al-Qaeda goons and celebrity arms dealers, some might find the film’s animated treatment of Stark’s capture by Al-Qaeda inspired terrorists – who in delicious Hollywood irony happen to be using his military hardware – crude to the point of insulting. Unlike the woeful Lord of War, however, this is the simplistic fantasy fluff of comic books, and has no pretensions to anything greater.

Like the first Spider-Man and X-Men before it, Iron Man’s sole fault is that it spends so much time presenting the origin story there is little time to introduce an effective villain. Iron Man has always been a major power in the comics, fighting alongside demi-gods and aliens; on-screen he is presented as nigh-on omnipotent, facing little in the way of threat level that these stand-offs deserve. The eleventh-hour introduction of Iron Monger, a bulkier, inferior war-suit built from Stark’s Mark I armour, feels tacked on to the end, as though the multitude of screenwriters realised the necessity of an antagonist too late in the game.

But a heavy second half does nothing to hinder the first truly decent comic movie since Batman Begins. Iron Man may follow the origins story conventions a little rigidly, but it’s a fine presentation for a surprisingly relevant superhero franchise. Far better than any of 2007’s spandex offerings, Favreau and Downey Jr. have laid the steady foundations for a sequel than can only improve on Iron Man’s successes and graft over its minor imperfections.

The best superhero movie of 2008? We’ll have to wait for the Dark Knight Returns, Hellboy 2, Watchman and Hancock to say. I’m getting giddy just thinking about it…

8/10

  • Share/Bookmark

Iron Man: The Inevitable TPB Review

Saturday, November 24th, 2007 by Carl Doherty under Graphic Novel Reviews

2006, Marvel
Story: Joe Casey
Art:
Frazier Irving

Whenever I pick up a silver age comic, the first thing that strikes me is the intoxicating scent of yellowed paper. Can’t stop sniffing the stuff. The second thing that strikes me, however, is how languid comic pacing has become. Were The Inevitable printed some time in the seventies, it would have been an issue long, two maximum. Today, it takes up six parts.

Iron Man: The Inevitable TPB

Iron Man: The Inevitable TPB

The book sees three of Iron Man’s old nemeses return and indirectly combine forces; the latest incarnation of Spymaster, the Living Laser and the Ghost. All B-listers sure, but the variety of villain that is always fun to watch. Sort of the underdog antithesis of Spider-man, these guys are destined to fail, but we enjoy seeing them punch above their weight and break several bones in the process

Like much of Joe Casey’s work, The Inevitable is efficient but unspectacular. Marvel’s writers seem to have a tough time gleaming something new from the impersonal icon that is Iron Man, and resort to pushing the character into exhausted revenge territory to show us Stark’s human element. Thankfully Casey keeps the pacing brisk, with a series of email exchanges handling much of the exposition, a plot-device that suits Stark’s schedule well, if he does occasionally reply on Jarvis to exposition the book’s overriding sentiment. Unfortunately, Spymaster’s identity is glaringly obvious from the moment an obnoxious business rival confronts Tony Stark at a charity ball, as is the fate of Stark’s new love interest.

Frazier Irving’s art is a mixed bag, intermittently inspired and clumsy. Though I personally liked his work on Klarion the Witch-Boy, I feel a book such as this requires a more conventional touch. Still, his fevered colour pallet more than make up for his horrendous characters.

The Inevitable does nothing wrong other than push Iron Man into already heavily charted territory. While its fun to see some of Shell-Head’s old rogues back in the game, someone really needs to give Stark a more effective villain than his own ego.

6/10

  • Share/Bookmark